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“... I have a neolithic kind of intelligence,’ Claude Lévi-Strauss remarked in Tristes Tropiques (1955), his luminous reminiscence of anthropological fieldwork in Brazil. He didn’t mean he was a caveman. His own gloss was that his intellectual affinities were closer to the people anthropologists usually studied than to the people doing the studying ...”

“... in the houses of wealthy patrons. Artists, writers, philosophers and scientists shared a world. Claude Lévi-Strauss was the son of an artist, and two of his uncles were painters who had their moments of fame. Trained as a philosopher, he made it his ambition to turn anthropology into a natural science, but all his life he was immersed in the ...”

“... The authors of this collection of essays are social anthropologists who follow the structuralist Claude Lévi-Strauss, literally – an essay by him comes first, after Daniel Miller’s introduction – and, in varying degrees, intellectually. What they discover when they unwrap Christmas present – Christmas now, throughout the world – are the human structures of the cover-up, disguising, beneath a number of hilarious cultural transformations, a tragic opposition between the glittery surface and the dark heart of Christmas ...”

“... became prominent in the wake of the Wirtschaftswunder, while the structural anthropology of Claude Lévi-Strauss spoke to French misgivings about the colonial experience. In both countries these disciplines became as much means of engaging in politics as sciences for studying it. The age of structuralisms is past in France, yet anthropology ...”

“... In their French editions the titles and covers of Lévi-Strauss’s books are often designed to tease as well as to inform. They deserve attention. Tristes Tropiques is about tropes as well as tropics; Mythologiques is about odd kinds of logic as well as mythology; La Pensée Sauvage carried on its cover a picture of a wild pansy which should have warned the English publisher that The Savage Mind was hardly an adequate translation even if the author chose the latter title himself ...”

“... Austere, prickly, solitary, Claude Lévi-Strauss is the least fashionable, and most influential, of the postwar French theorists. Lévi-Straussians are a nearly extinct tribe in Anglo-American universities, far outnumbered by Foucauldians, Derrideans and Deleuzians. But, in a paradox he might have enjoyed, his imprint has been deeper ...”

“... than any four-letter word. Under the severe tutelage of anthropologists and in the long shadow of Claude Lévi-Strauss, we are losing our cultural arrogance – or, perhaps the same thing, our cultural innocence. A good thing, too: the main point of innocence is to lose it, and this particular innocence deserves to be lost. Ethnocentrism has taken ...”

“... Claude Lévi-Strauss and others have been in the habit of describing the expansion of European civilisation as an unmitigated catastrophe for the rest of mankind. It is arguable that not the least of its casualties has been the West’s sense of its own limitations. From the conquest of Mexico and Peru until 1941 (at the earliest), Europe’s onward march seemed unstoppable, fuelled as it was by a combination of immeasurably superior technology and an ineffable sense of cultural superiority ...”

“... the vagueness of its concept of a symbol. Far more in the public eye at present is the theory of Claude Lévi-Strauss. Influenced by Durkheim and Mauss, and acting on the analogy of the structural linguistics initiated by de Saussure, he finds a second meaning which may be more significant than the surface sense in the ordered arrangement of the ...”

“... generation were born in the decade 1901-11: Margaret Mead (1901), Edward Evans-Pritchard (1902), Claude Lévi-Strauss (1908), Edmund Leach (1910), Louis Dumont and Max Gluckman (1911). They were formed in the age of Hitler and Stalin, and, in the cases of France and Britain, of impending imperial decline. The last generation came to adulthood during ...”

“... One of the most disconcerting aspects of introducing the work of Lévi-Strauss to students is that those who are just beginning an anthropology course often seem able to grasp quickly and easily the main points of his work, while those who have a good anthropological training seem almost invariably incapable of understanding what he is saying ...”

“... parts of the Amazon: the Mato Grosso, Rondônia, Cuiabá – the same places whose lost isolation Claude Lévi-Strauss lamented in Tristes Tropiques. In Broken Spectre, they are of three varieties: close-up images of jungle life; composite multispectral images of the jungle from the air; and black and white infrared images of the human beings who live ...”

“... an intellectual is defined in reference to literature. However, as Lévy’s interview here with Claude Simon makes clear, in French cultural life today these are no longer competing, but simply different worlds: ‘the demise of the prophets’ after the Sixties also marks the end of a privileged connection between intellectuals and literature. This first ...”

“... celebrated the new Francis novel. A Francis novel is a story composed of recycled fragments, what Claude Lévi-Strauss called mythemes (we call them clichés when they occur in bad films and novels), which the author constantly shuffles and reassembles through a process of bricolage. Francis novels are ritualistic even in the masks they wear: the covers ...”

“... first truthful biographer), Marc Chagall, Jacques Lipchitz, Moïse Kisling, the young Claude Lévi-Strauss … A band of surrealists led by Max Ernst (Tristan Tzara, Wifredo Lam, André Breton among them) hid in the spooky Villa Air-Bel in the city’s outskirts. Marseille was in the non-occupied zone of France. But Article 19 of the ...”